Moonlight Okinawa

Jang Young, National Asian Culture Center

  • A scene from <Moonlight Okinawa>. Several people are scattered across a wide, darkened stage, standing or sitting. A small screen hangs on the wall at the left and a white bathtub sits at the right. White lines are marked on the floor, lit by floor lighting.
  • A scene from <Moonlight Okinawa>. The Korean title of the work appears in white letters against a black background, with the same words repeated faintly above and below.
  • A scene from <Moonlight Okinawa>. Under red and yellow light, two people sit on backless stools. The person in front, in a red hoodie, bows their head, while the person behind is out of focus.
  • A scene from <Moonlight Okinawa>. A person sits at the centre of a wide stage washed in red light, wearing a box printed with a picture of a house over their head. A black metal table stands at the right.
  • A scene from <Moonlight Okinawa>. Seen from below, two people walk out side by side onto the stage. The one in front wears a navy shirt and looks upward; the other, in a red scarf and knitted hat, holds on to their arm. A small model house covered in snow sits on the floor at the left.

ⓒ ACC

  • Playwright Jang Young
  • Director Hye-sook Yoon
  • Production National Asian Culture Center
  • Genre Theater
  • Date 10.23.Fri 7:30pm 10.24.Sat 3pm 10.25.Sun 3pm
  • Language Korean
  • Accessibility Korean Subtitles, English Subtitles
  • Rating 12 and over
  • Venue National Theater of Korea Haneul Round Theater
  • Duration 135 min.
  • Tickets 40,000 won

 

A love story shaped by the imagination of quantum mechanics, in a space-time where times and memories intersect

Introduction

<Moonlight Okinawa> is a play developed through the 2024 ACC Theater Residency, and the first collaboration between the playwright Jang Young, winner of the 60th Dong-A Theater Awards for Best Play (2023), and director Yoon Hye-sook, recipient of the Doosan Yonkang Arts Award (2020). Centered on Okinawa and Gwangju, two sites charged with meaning in Northeast Asia, the work explores the relationship between two people, their waiting, and the possibility of consolation in a space-time where different times and memories converge.

The performance literally gives form to the quantum mechanical idea that ‘the act of observation transforms potentiality into reality.’ Asking the question, ‘If we believe that intention can shape reality, what can we hope for?’ it unfolds as a sweeping love story that moves across the layers of many worlds.

The story begins with the playwright Yoon Jong, who has spent twenty years staging a single play, <Moonlight>, with the belief that anything with even the slightest chance of happening may one day come true. The work imagines a future in which Koharu, his lover who went missing in Okinawa two decades earlier, is still alive. However, Yoon Jong is diagnosed with a terminal illness before ever learning whether Koharu survived. He sets out on one final journey to Okinawa, where he begins writing his last play, <Okinawa>, imagining that Koharu has already seen <Moonlight>, the play that foretells her own future.

Director

Yoon Hye-sook

Yoon Hye-sook is a theater director and head of Rabbit Hole Theater. She majored in Chinese Language and Literature and Psychology as an undergraduate at Yonsei University before earning a graduate degree in Performing Arts at Seoul National University. Building on this interdisciplinary background, she has built a distinct aesthetic by tenaciously exploring the relationships among human language, psychology, and the stage.

She has created productions that stir the audience’s imagination through densely charged theatrical energy and continues to work on projects that open up the audience’s sensation and thought. She received the Doosan Yonkang Arts Award in 2020 and the Excellence Award in Theater at the inaugural Seoul Arts Award in 2022, establishing herself as a notable director in the contemporary theater scene.

Her major productions include <Silver Tongue>, <Time Difference>(2024), <Jeong Hee-jeong>(2023), <SECOND CHANCE>(2022), <Dry Land>, and <We Arrived in This City Together>(2020).

Production

ACC

The ACC Theater is a leading platform for the creation and exchange of Asian performing arts, producing experimental works grounded in contemporary discourse across Asia. With its distinctive performance environment, it expands formal innovation and transforms diverse sensibilities and issues of our time into theatrical experience. Through this work, the ACC Theater discovers stories that resonate across generations and cultures, and presents original productions that engage audiences around the world.

Credits
  • Produced byNational Asian Culture Center
  • DirectorYoon Hye-sook
  • PlaywrightJang Young
  • Assistant DirectorKim Sungryeong
  • Set, Lighting & Costume DesignerYeo Shindong
  • MusicPark Soyeon
  • Video DesignerKang Suyeon
  • Props & Makeup DesignerJang Kyungsuk
  • Caption DesignerLee Chung
  • Stage ManagerKim Sangyeop (A for A)
  • Assistant Stage ManagerPark Seungwan (A for A)
  • Lighting SupervisorHong Yujin
  • Costume SupervisorOh Hyeon-hee
  • Sound DirectorLee Hyunseok
  • Stage AssistantShin Jeongju
  • Stage Productions_TAGe
  • ProducerSuyon Yang (ACC)
  • CastYoon Hyun-gil, Kim Jeong, Lee Ji-hye, Kim Jeong-hwa, Kang Hye-ryeon, Lee Yoo-ju, Kwon Ju-young, Oh Yu-ra
  • VoiceSung Yeo-jin
ACC

The ACC Theater is a leading platform for the creation and exchange of Asian performing arts, producing experimental works grounded in contemporary discourse across Asia. With its distinctive performance environment, it expands formal innovation and transforms diverse sensibilities and issues of our time into theatrical experience. Through this work, the ACC Theater discovers stories that resonate across generations and cultures, and presents original productions that engage audiences around the world.