Crowd

Gisèle Vienne

 
  • Concept
    Choreography
    scenography
    Gisèle Vienne
  • Date 10.26.Sat. 7pm 10.27.Sun. 4pm
  • Rating 13 and over
  • Duration 90min.
  • Venue Arko Arts Theatre - Main Hall
  • Tickets R 60,000won S 40,000won
  • Premiere Maillon, Théâtre de Strasbourg (2017)
  • Notice This performance includes smoking scenes.
  • Support 반클리프 아펠 댄스리플렉기

 

An intense roller coaster of emotions of fifteen dancers


An invitation to a psychedelic and dreamy party led by fifteen dancer: a work that concentrates vast spectrum of human instincts that Gisèle Vienne has dissected for years

Introduction

Crowd, by Gisèle Vienne, a piece for fifteen dancers, muscles its way into a body of work which, over the course of several years, has been dissecting the vast spectrum of our fantasies, emotions, and dark sides, in addition to our inherent need for violence and our sensuality. Flying in the face of the different artistic disciplines, the journey she takes us on renders the onstage experience a cathartic one indeed. Behind their technical and formal perfection, Gisèle Vienne’s unclassifiable pieces are often perceived as being “unsettling” or “disturbing”. Since Showroomdummies (2001), they been unrelenting in their enquiry into the eternal duality at the core of our humanity – Eros and Thanatos, Apollo and Dionysus – the necessary thirst for violence and sensuality that each of us carries within us, and the place of the erotic and the sacred in our lives. Crowd is a new phase in this single-minded research. Centering on a choreography devised for fifteen performers brought together over the course of a party, this broad reaching polyphony brings to light (of a dark, blinding nature) the various mechanisms underlying such manifestations of collective euphoria, and “the way a specific community handles or otherwise the expression of violence”.

Synopsis

For several years Gisèle Vienne has been investigating the vast spectrum of our fantasies and emotions, our dark side, our need for violence and sensuality, giving back to the stage all of its cathartic power. Crowd is a new step in this constant research. Choreography conceived for fifteen performers gathered together for the duration of a party, their polyphony brings to light all the mechanisms that underlie such manifestations of collective euphoria. A universe where jerky gestures borrow as much from urban dance as from puppet theatre, the music was selected and mixed with songs with important meanings in the electronic music history. Within this circumstance psychedelic and dreamy atmosphere is made. The audience has thrilling experience of riding along on the dancers' intense roller coaster of emotions. Crowd is the site of a dialogue with what is most intimate to us.

Concept·Choreography·Scenography
지젤 비엔

Gisèle Vienne



Gisèle Vienne is a Franco-Austrian artist, choreographer and director. After graduating in Philosophy, she studied at the puppeteering school Ecole Supérieure Nationale des Arts de la Marionnette. She works regularly with the writer Dennis Cooper, among others. Over the past 20 years, her work has toured in Europe and has regularly been performed in Asia and in America. Touring shows include: I Apologize (2004); Kindertotenlieder (2007); Jerk (2008); This is how you will disappear (2010); LAST SPRING: A Prequel (2011); The Ventriloquists’ Convention (2015), in collaboration with Puppentheater Halle; Crowd (2017), L’Etang (2021) & EXTRA LIFE (2023). Her photography and installations have been exhibited at the New York Whitney Museum, the Centre Pompidou Paris, the Museo Nacional de Bellas Artes de Buenos Aires and Musée d’Art Moderne de Paris. 2021 SACD AWARDS Winners – Choreography prize

Credits

Concept·Choreography·Scenography Gisèle Vienne
AssistAnja Röttgerkamp, Nuria Guiu Sagarra
Cast Philip Berlin, Marine Chesnais, Sylvain Decloitre, Sophie Demeyer, Vincent Dupuy, Massimo Fusco, Rehin Hollant, Oskar Landström, Theo Livesey, Louise Perming, Katia Petrowick, Jonathan Schatz, Henrietta Wallberg, Tyra Wigg (alternately with Lucas Bassereau, Nuria Guiu Sagarra, Georges Labbat and Linn Ragnarsson)
Light Patrick Riou
DramaturgyGisèle Vienne, Dennis Cooper
MusicUnderground Resistance, KTL, Vapour Space, DJ Rolando, Drexciya, The Martian, Choice, Jeff Mills, Peter Rehberg, Manuel Göttsching, Sun Electric, Global Communication
Editing·Music Selection Peter Rehberg
Sound Diffusion Design Stephen O’Malley
Costumes Gisèle Vienne
Collaboration Camille Queval
The Performers in Association with MC93Maison de la Culture de Seine-Saint-Denis, le CND Centre national de la danse,Festival d’Automne à Paris
Production DACM
Co-production Nanterre-Amandiers, centre dramatique national ; Maillon, Théâtre de Strasbourg – Scène européenne ; Wiener Festwochen ; manège – Scène Nationale – Reims ; Théâtre national de Bretagne – Centre européen de production théâtrale et chorégraphique (Rennes) ; Centre dramatique national Orléans Centre-Val de Loire ; La Filature, Scène nationale (Mulhouse) ; BIT Teatergarasjen (Bergen)
Association MC93 – Maison de la Culture de Seine-Saint-Denis (Bobigny) ; CND Centre national de la danse (Pantin) ; and Festival d’Automne à Paris
Support CCN2, Centre chorégraphique national de Grenoble, and CND, Centre national de la danse (Pantin), Dance Reflections by Van Cleef & Arpels
With Special Thanks toLouise Bentkowski, Dominique Brun, Patric Chiha, Zac Farley, Uta Gebert, Margret Sara Guðjónsdóttir, Isabelle Piechaczyk, Arco Renz, Jean-Paul Vienne, and Dorothéa Vienne-Pollak
SupportDance Reflections by Van Cleef & Arpels
Partner France Culture

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  • In the 90-minute Crowd, the dancers portray characters, created with Cooper, as they inhabit the night. With hugs and fights, dancing and drinking, they live out ecstatic states, both light and dark. They flail and float on a stage covered in dirt and strewn with trash: water bottles, crumpled plastic cups, discarded clothes. And there are other effects: In Vienne’s gestural choreography, both sensual and raw, emotions come into deeper focus through cinematic effects like looping, slow motion and fast forward. Scenes take on a sense of eeriness, of violence, of loneliness. She is all for sensory shifts, both in life and in art — like the way a dance can change perceptions. She wants to show people how, in being better able to read bodies and silence, their minds can shift, too.
    - Gia Kourlas, 2022.9.7. The New York times