Scored in Silence

Chisato Minamimura

 
  • Director Chisato Minamimura
  • Date 10.17.Thu. 7:30pm 10.18.Fri. 7:30pm
  • Language Korean+British Sign Language(BSL), English and Korean Subtitle
  • Accessibility - Korean+British Sign Language(BSL)
    - English and Korean Subtitles
    - Optional Woojer vibration straps offer a physical experience of the soundtrack.
  • Rating 13 and over
  • Venue Arko Arts Theater-Main Hall
  • Duration 50 min.
  • Premiere 2018. Brighton Digital Festival, ONCA Gallery, Brighton, UK
  • Cooperation
    Partner
    VibrafusionLab, Fanshawe, Ovalhouse Theatre, Ditchling Museum of Art + Craft, Cuspinc, Dance from England(Fabric)
  • Tickets 40,000won
  • Support Arts Council England, Canada Council for the Arts, The Great Britain SASAKAWA Foundation, British Council

 

The hidden stories of Deaf survivors of the atomic bomb victims told through unique aesthetics and senses

A moving and experimental solo performance of a Deaf artist Chisato Minamimura that unpacks the hidden perspectives of fear and devastation of Deaf people survived the horrors of the atomic bomb atrocity in Japan in 1945, with unique artistic aesthetics and historical reflection

Introduction

Scored in Silence is a solo sign language performance by London-based Deaf Japanese artist Chisato Minamimura. The show unpacks the hidden perspectives of Deaf people from the small number that survived the horrors of the atomic bomb atrocity in Japan in 1945. Survivors of the A-bomb are known as “hibakusha,” and the final performance is based on a period of research, interviews and original films of elderly Deaf people with lived experiences of Hiroshima and Nagasaki.
Minamimura brings these untold narratives into stark relief, touching upon the atrocity of the event and its aftermath, including the layers of discrimination experienced by these isolated members of Japanese society. Minamimura’s beautifully expressive interaction with the video footages and Holo-gauze screen animations create a powerful visualisation of sound and silent horror. Accessible and meaningful for Deaf, hearing-impaired and general audiences, Scored in Silence gives voice to those who are disenfranchised, and offers audiences insight into how Deaf people perceive the world around them.

Synopsis

Chisato Minamimura was inspired to create this work after meeting an old man she met while visiting here familiy in Japan. Deaf people living in Hiroshima could not have any news through radio, phone call, even the words of mouth. For years, they did not understand what had happened to them or why they had been treated like patients at work and by their loved ones. Minamimura said she had conducted extensive research on deaf people in Hiroshima and Nagasaki, and she sought to recreate their experiences artistically.
She, Minamimura, compiled and edited video interviews with the survivors, which tell heartbreaking stories of deaf people, their fear and confusion and fear they felt during the incident, as well as the feelings of alienation afterwards. The story is revealed on stage after 70 years have passed, giving us historical reflection and strong emotions on humanity.

Director
 Chisato Minamimura

Chisato Minamimura



Chisato Minamimura is a Deaf performance artist, choreographer and BSL art guide. Born in Japan, now based in London, Chisato has created, performed and taught internationally. She has been involved in a aerial performances with Graeae Theatre Company, London’s Paralympic Opening Ceremony and Rio’s 2016 Paralympic Cultural Olympiad. and is currently a Work Place artist at The Place. Chisato trained at Trinity Laban in London and holds a BA in Japanese Painting and MA from Yokohama National University. Chisato approaches choreography and performance making from her unique perspective as a Deaf artist, experimenting with and exploring the visualisation of sound and music. By using dance and technology, Chisato aims to share her experiences of sensory perception and human encounters.

Credits

Artistic Director·Performer Chisato Minamimura
Animator Dave Packer
Lighting·Production Designer Jon Armstrong
Sonic Artist Danny Bright
Vibrotactile Specialists David Bobier, Jim Ruxton (VibrafusionLab)
Visual Vernacular Specialist Tetsuya Izaki
Sign Language Mentor Steven Webb
Producer Michael Kitchin
Photographer Mark Pickthall
Support Arts Council England, Canada Council for the Arts, The Great Britain SASAKAWA Foundation and British Council
Cooperation·partner VibrafusionLab, Fanshawe, Ovalhouse Theatre, Ditchling Museum of Art + Craft, Cuspinc, Dance from England (Fabric)
With Special Thanks to Mayumi Bono (National Institute of Informatics), Mami Kaneko, Tomoe Kurokawa, Fumie Nakagawa, Susumu Oya, Nursing Home: Awaji Fukuro-no-Sato
Subtitle translation Korea Disability Arts & Culture Center

Chisato Minamimura

Chisato Minamimura is a Deaf performance artist, choreographer and BSL art guide. Born in Japan, now based in London, Chisato has created, performed and taught internationally. She has been involved in a aerial performances with Graeae Theatre Company, London’s Paralympic Opening Ceremony and Rio’s 2016 Paralympic Cultural Olympiad. and is currently a Work Place artist at The Place. Chisato trained at Trinity Laban in London and holds a BA in Japanese Painting and MA from Yokohama National University. Chisato approaches choreography and performance making from her unique perspective as a Deaf artist, experimenting with and exploring the visualisation of sound and music. By using dance and technology, Chisato aims to share her experiences of sensory perception and human encounters.

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  • It is a powerful and heartbreaking piece of storytelling - emphasising the isolation experienced by deaf people.
    - Disability Arts Online
  • Lucky to catch Scored in Silence, a remarkable digital artwork at Greenside venue by Chisato Minamimura about the untold stories of deaf people who survived the Hiroshima Atomic bomb. It brilliantly blends sound, light, animation, vibration and sign language.
    - Darren Henley, CEO Arts Counciil English
  • Minamimura’s abilitiy to conjure deft emotional landscape is without peer: she is our visual vernacular medium holding these stories, passing them on to audiences and leaving us to reflect on the emotional enormity and human consequence of those fateful days in Hiroshima and Nagasaki
    - Writing About Dance