Monica Lim & Mindy Meng Wang
A unique live music performance that offers a cathartic experience through mourning rituals, reflecting on loss between life and death.
IntroductionOpera for the Dead (“OFTD”) is a multi-artform performance inspired by rituals and beliefs surrounding ancestor worship, death and afterlife in Chinese and Chinese diaspora culture. It combines new/digital media, physical installation, performance culture and live music to create a contemporary experience of grief that allows audiences to reflect on how they would like to live by rehearsing death through reimagined mourning rituals.
SynopsisIn 2015, Mindy lost her father. As an only daughter, she was tasked with preparing his funeral. In the process, she experienced firsthand how rituals and traditions passed down for thousands of years clashed with contemporary life. As she prepared for the funeral in shock and grief, Mindy realized that funerals were filled with formal elements expected by society. The work explores the contradictions between the spiritual and material aspects of ancestor rites, asking us to reflect on how we commemorate our lives and our loved ones, how we want to be remembered, and how we want to live. Through these imaginations, it rethinks the relationship between life and death. For SPAF, we will show a work-in-progress that combines live and recorded acoustic and electroacoustic music, surround sound and 3D animation in a simplified format.
Monica Lim is an Australian sound artist and pianist with Malaysian heritage whose work spans
installations, performance art, contemporary dance and new-instrument-making. She is interested in
cross-disciplinary genres and forms as well as combinations of new technology with music. Her work has
been presented at Arts House, Science Gallery Melbourne, White Night, Liquid Architecture, Melbourne
Fringe, Arts Centre Melbourne, Asia TOPA, Sydney Dance Company and WorldPride as well as international
symposiums such as ISEA and NIME.
Monica is currently undertaking postgraduate research at the Faculty of Fine Arts and Music,
University of Melbourne in movement-led composition and new technologies. She is part of the research
team at VCA Dance's Motion-Capture Lab and the University of Melbourne's Centre for Artificial
Intelligence and Digital Ethics. Monica was a 2023 Artist-in Residence at the Grainger Museum and the
Melbourne Electronic Sound Studio.
Mindy Meng Wang is a Chinese/Australian composer and world-leading guzheng performing artist merging traditional and contemporary practices. She is recognised for pioneering guzheng in non-traditional genres such as experimental, jazz, western classical, electronic, and improvisation. She has performed extensively internationally and nationally and is recognised as a cultural leader in the sector. Mindy has won many national and international awards including the 2022 Sidney Myer Fellowship, “Best Musician” Music Victoria Awards, and the 40 Under 40: Most Influential Asian-Australian Award. Mindy is the 2023 Melbourne Recital Centre Artist in Residence - the first to play a non-western instrument. Mindy's work promotes and advocates for cultural diversity and inclusivity in the sector. She aims to create a strong voice for young female composers and particularly artists of Asian heritage with a vision to establish deeper and reciprocal musical connections between Australia and Asia.
Lead artists & composers/sound designersMonica Lim & Mindy Meng Wang
DramaturgOphelia Huang
Set & lighting designerJenny Hector
Visual designerRel Pham
ProducerJin Yim
SingerYeseul Choi
Supported by the Australia-Korea Foundation (AKF), SPAF has carried out a joint project of Next Mobility
with APAM for the period 2023-2024. Next Mobility is a project delving into what the exchange and mobility
of the performing arts would look like in the pandemic/post-pandemic era. The project explores changes in
mobility, focusing on trends such as digitization, hybrid exchange, concept touring and green mobility
which have influenced the creation and distribution of performances as a whole since the onset of the
pandemic. Its major research themes have been centered around these questions. What do we want to tell
people through international mobility? What needs mobility and why?
In 2023, they did exchange-based research which gave support to the initial development of a performance
from the perspective of Next Mobility. In 2024, they will unveil the performance produced through such
research at SPAF and share the process and relevant discourse of the project during an open talk session
at PAMS. Producer Jin Yim is collaborating to run the project.