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Conference of the Absent

Rimini Protokoll

부재자들의 회의 Conference of the Absent  
  • Concept·Text·
    Direction
    Helgard Haug, Stefan Kaegi,
    Daniel Wetzel
  • Date 10.20.Thu.-10.21.Fri. 7.30pm
    10.22.Sat.-10.23.Sun. 3pm, 7pm
  • Venue Daehakro Arts Theater-Small Hall
  • Ticket 50,000 KRW/span>
  • Genre Theater ●●●○○
    Audience Participation ●●●●●
  • Rating 15 and over
  • Duration 120min
  • Premiere 2021. Staatsschauspiel Dresden
  • Support Goethe Institute

 

We need a representative!
Everyone is absent, yet also present.
A conference of the absent made available by Rimini Protokoll and the audiences who are present in the theater


An internationally staffed conference which no one travels to, and which – please, not again – is not supposed to simply take place digitally. How should that work? Here is a proposal: The speakers simply hand over their presentations to those who are there and who do not have to travel from afar: to citizens from the very city in which this conference of the absent takes place. Is there a more suitable space for such an experimental arrangement than the theater? The directing and writing team Rimini Protokoll, together with the audience, dare exactly this experiment.

Synopsis

Everything it needs: a kind of play manual, the prepared conference presentations and the technical support on site. And, of course, audience members. The advantage, by the way: This conference can be attended several times, is a bit different each time, is relatively environmentally friendly, and can take place in a wide variety of locations around the world – even at the same time. In this way, the diverse biographies, stories, thoughts and positions of those who themselves are not there and cannot be, find new bodies every evening. And at the same time absence itself is the theme: What are different forms of absence? Where and when are we absent? What does absence do to us? When is absence a curse and when perhaps a blessing? The experts at this conference have all had their own experiences.

Director
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Credits

Concept·Text·Direction | Helgard Haug, Stefan Kaegi, Daniel Wetzel
Video·Light Design | Marc Jungreithmei
Sound Design | Daniel Dorsch
Research·Dramaturgy | Imanuel Schipper, Lüder Pit Wilcke
Cooperation political-cultural education | Dr. Werner Friedrichs
Production Management | Epona Hamdan
Production Management touring |Vera Nau
Dramaturgy Assistance | Sebastian Klauke
Directing Assistance | Lisa Homburger and Maximilian Pellert
Stage Assistance Maksim Chernykh

Production Assistance | Federico Schwindt
Local Production | SPAF
Local Assistant Director | Gyohee Baek
Anchor Voice | Yeonhee Cho
In-ear Voice | Un-chul Baek, Ranhee Baek

Rimini Protokoll

Helgard Haug, Stefan Kaegi and Daniel Wetzel founded the theatre-label Rimini Protokoll in 2000 and have since worked in different constellations under this name. Work by work they have expanded the means of the theatre to create new perspectives on reality.
Rimini Protokoll often develop their stage-works, interventions, performative installations and audio plays together with experts who have gained their knowledge and skills beyond the theatre. Furthermore, they like to transpose rooms or social structures into theatrical formats. Many of their works feature interactivity and a playful use of technology.
In 2007, Rimini Protokoll was awarded with the Faust Theatre Prize. In 2008 it received the European prize “New Realities in Theatre”, and in 2011 the Silver Lion at the Venice Biennale for performing arts. Both “Call Cutta in a Box” and the “Weltklimakonferenz” got a honorary mention by the jury of Ars Electronica. The multi-player video-installation "Situation Rooms" about the weapon-industry got the Excelence award of the 17th Japan Media Festival in 2013. And in 2015 Stefan Kaegi and Rimini Protokoll got the Grand Prix Theater/Hans-Reinhart-Ring.

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  • Perhaps because not knowing the stories beforehand, they were discovering them at the same time as those listening in their seats, thereby reinforcing their effect – and paradoxically, their truth as well, despite the “authentic” character not being there. Again, there’s always something new to discover (and feel) at a Rimini Protokoll show.
    09.10.2021 / elpais.com / By RAQUEL VIDALES