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©Judith Buss
Creative VaQi & Residenztheatre
 ©Judith Buss
 					©Judith Buss
				 Arts Council Korea
								Arts Council Korea
								
							  
							 
								
							  
						Borderline is a theatrical piece that began with the research of German theater critic and playwright Jürgen Berger. Traveling between Germany, Thailand, and Korea over the past few years, Berger met people who were looking for a new place to settle down, away from their familiar homes. He conducted interviews in diverse forms and wrote a text based on them.  
For two years(2018-2019), ResidenzTheatre of Munich, Germany, Korean theater company Creative VaQi, and Producer Group DOT traveled between Germany and Korea for workshops, with the aim to put this text on stage. However, they were then met with the COVID-19 pandemic of 2020... 
					
 Kyungsung Lee
							Kyungsung Lee
						
								Since he founded Creative VaQi with his colleagues in 2008, Lee has been working as a director and performance maker. Beyond the theatre that places the space of theatre and text at its center, he has been seeking collaborations with media, installation art and dance artists and making shows in everyday spaces such as abandoned buildings, squares and crosswalks.
								He was appointed as the 3rd artistic director of Seoul Marginal Theatre Festival in 2015 and is currently a professor in acting at Sungkyunkwan University. His major workds include <남산 도큐멘타>(2014), <비포 애프터>(2015), <워킹 홀리데이>(2017) and <러브 스토리>(2018). 
							 
 Jürgen Berger
							 Jürgen Berger
						A renowned theatre critic and playwright of Germany, Jürgen Berger transcends national borders and genres, working with Argentine, Brazilian, Thai and Filipino artists to deal with social issues such as sexual minorities and immigrants. Recently, his opera <Alzeim>, which deals with Alzheimer's disease, and play <Ifwuala> about German immigrants in Argentina were critically acclaimed in Germany. He has also served on the jury of renowned performing arts and culture related programs including Berliner Theatertreffen and Mülheimer Dramatikerpreis.
					Cast‧Co-Creation      |  BumJin Woo, Florian Jahr, KyungMin Na, SoHyun Bae, SungIc Jang
					Director         |Kyungsung Lee
					   Research·Text   |  Jürgen Berger 
 
					   
					   Technical Director   |  Yochan Kim 
					   Stage Manager   |  EunKyu Lee
					   Set Design    |  Seungryul Shin 
					   Videographer     |  Hez Kim
						Sound Design     |  Haesoo Eshu Jung
					   Light Design   |  KyuYeon Hwang 
					   Assistant Director·Archivist     |  YeiSol Hyun
 
					   
					   Translation      |  Danbi Yi
					   
					   Producer      |  HeeJin Lee
					   
					   
					
						
						Executive Director   |Katja Funken-Hamann
						Artistic Director   |Andreas Beck
						Deputy Artistic Director   | Ingrid Trobitz
						Chief Dramaturg  |Almut Wagner
						Production Director  |Carla Meller
						Administration   |Rebecca Rieger
						Technical Director  |Frank Crusius
						
						Produced by  |Producer Group DOT, Residenztheater
					
					
Founded in 2008, Creative VaQi discovers the themes from our contemporary society. Members from different backgrounds go through research, exploration, firsthand experience and workshop together and translate the resulting documentations, changes of perspective and revelations into the language of performing arts. 
					Rather than language-oriented theatre, they seek to create the richest kind of performing art pieces by utilizing ingredients of various art disciplines including objects, body, media and installation art. Using alternative spaces besides theatres such as crosswalks, squares and abandoned buildings, they have attempted at encounters of people and environments that are possible because theatre is theatre. Also, they try not to merely celebrate new forms but to collectively pursue a spirit and philosophy that can make the world a better place. 
						Located in Munich, Residenztheatre is one of the leading venues in Germany. It first opened in the 18th century as Bavarian State Theatre and now more than 45 actors belong to it. 
						It communicates with the audience in different theatrical languages ranging from the classical to contemporary. It has 3 venues: Residenztheater has 887 seats, a Baroque-style Cuvilliés-Theater 523 seats and Marstall, with flexible units, has 200. 
						In 2019, Andreas Beck, artistic director of Theater Basel who is gaining a lot of attention and recognition in the European theatre scene, became the new artistic director of Residenztheatre, enabling it to present more experimental and innovative contemporary theatre.