Dance Reflections by Van Cleef & Arpels
Ola Maciejewska
<Loie Fuller: Research> is a contemporary reinterpretation of the iconic <Serpentine Dance> by early 20th-century American dancer Loie Fuller. Loie Fuller used long silk fabrics and bamboo rods to embody movements found in nature, like fire and waves, combining the body, objects, lighting, and mechanical devices to create innovative performances. Her experiments blending special effects with dance are regarded as legendary in the history of modern dance.
SynopsisOla Maciejewska brings this legendary dance back to stage through physical experimentation and sculptural movement. <Loie Fuller: Research> is structured in two forms of practice. Inspired by the relationship between the sculptor (human) and the sculpture (non-human), the piece explores movement through an object known as the Dancing Dress. In doing so, it experiments with the human’s material agency and the autonomy of the object—not merely recreating the past, but visualizing the constantly emerging forms and movements produced through the encounter of body and material. Traversing the boundaries between the visible and invisible, the material and immaterial, reality and imagination, the piece subtly reexamines what it means to be seen. Confronting the mythology and contradictions surrounding the icon Loie Fuller and the fading legacy of her time, Ola Maciejewska proposes a unique perspective on the history of choreography, its transmission, and its liberation, through her practice of archiving dance with the body. <Loie Fuller: Research> invites the audience to reflect on dance from a new visual and sculptural perspective through the interplay created by the body, objects, and the passage of time.
Dancer and choreographer Ola Maciejewska has built a distinctive world of her own, bridging dance with various artistic disciplines through meticulous research and rigorous structure. Traversing the boundaries of dance and visual art, she offers critical reinterpretations of dance history. Since 2013, she has reinterpreted Loie Fuller's <Serpentine Dance>, created in the 1890s, to develop a unique choreographic practice of her own. Her notable works, <Loie Fuller: Research> and <Bombyx Mori>, invite audiences into a sensorial intersection of transformation, synesthesia, and sculptural expression. From 2016 to 2018, she was an associate artist at the Centre Chorégraphique National de Caen in Normandy, France. In 2020, she delved into the archive of the Pina Bausch Foundation to conduct in-depth research on the scenography of stage designer Rolf Borzik. In 2022, she received a fellowship from the Watermill Center, founded by Robert Wilson, further expanding her creative scope. Furthermore, she is committed to sharing her research and expanding the horizons of art at institutions such as the HEAD School of Art and Design in Geneva, the École Nationale Supérieure des Beaux-Arts Limoges, and the Centre National de la Danse in France.
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