Dance Reflections by Van Cleef & Arpels
TAO Dance Theater
Created as part of the <Numerical Series> by TAO Dance Theater, <16> and <17> are contemporary dance pieces that delve into the extremes and essence of body movement. The two works are presented as a double bill on stage. The <Numerical Series> is one of choreographer Tao Ye’s best-known works that experiments with formats and explores the nature of the body. Beginning with <2>, the following works in the series are titled with a number only, symbolizing both the number of dancers involved and the sequential evolution of experimentation with the structure and the format. The <Numerical Series> has been performed in over 40 countries and at more than 100 various performing arts festivals, establishing TAO Dance Theater as one of the most notable Chinese contemporary dance companies on the international stage. Based on the unique minimalist and repetitive movements of the <Numerical Series>, <16> and <17> expand the image of Circular Movement Technique to unfold the infinite possibilities created by instant flow on stage. Circular Movement Technique is TAO Dance Theater's unique movement style, a choreographic technique designed for all parts of the body to continuously rotate and flow as if they are drawing circles. With this technique, the two works deepen their exploration of the body and seek to practice Eastern somaesthetics.
Synopsis<16> draws inspiration from dragon and snake dances. Sixteen dancers move in a single, connected line like a dragon, drawing circles of different shapes on the stage. The energy generated through flowing, circling, and marching transmits back and forth smoothly. While focusing on the organic flow of the group rather than individuals, their movements continue from beginning to end, presenting an infinitely derived structural multi-dimensional body. Through the ultimate exploration of repetitive and non-repetitive movements, it paints a chaotic but splendid micro-world. <17> continues the flow of the previous work, but experiments with the body language with greater density through new compositions and rhythms. This work started from a sensory imagination of sound, and choreographer Tao Ye creates a dialogue with his previous work <7> through experimenting with the shape of sound and body movements. For Tao Ye, the vibration and resonance of sound are not only auditory but body language itself. He says, "Bodies are all connected, this is a language of the world.” 17 dancers scatter or gather together, seemingly in disorder. Various sounds echoing on the stage synchronize with the dancers' movements, intertwining closely. In the performance, sound becomes the signal that leads the body's thoughts and movements. Sound and body interact with each other as if each were a language system of its own, creating an exciting contrast between the two. The harmony and dissolution of group dance blur the boundaries of sound, time, and body—appearing on stage like visualized sound waves or fireworks exploding in the air—opening new sensory pathways.
TAO Dance Theater is a contemporary dance company co-founded in 2008 by Tao Ye, Duan Ni, and Wang Hao. It was the first Chinese contemporary dance company to be invited to the Lincoln Center Festival in the United States, the Edinburgh International Festival in the United Kingdom, Sydney Opera House in Australia, Théâtre de la Ville in France, and Sadler's Wells Theatre in London. The company also performed and worked as resident artists at the American Dance Festival (ADF) in the US. TAO Dance Theater has presented works in a diverse array of spaces from the ruins of ancient Roman amphitheaters to Paris Fashion Week shows, and at Singapore’s ArtScience Museum, Aranya beach stage, Shanghai Symphony Orchestra Hall, and Beijing Design Week, showcasing experiments that defy genres and boundaries. In 2015, the company collaborated with Japanese designer Yohji Yamamoto’s brand Y-3 to perform at Paris Fashion Week. In 2019, they toured more than 10 cities across China with <Exchange>, a co-production with Cloud Gate Dance Theatre. In 2021, their DIY performance <Infinite Walking> went viral on TikTok, appearing in the platform’s trending searches for several weeks. Tens of thousands of viewers imitated one of the TAO Dance Theater's choreographic techniques, ‘body-free-walking style,' and the video was played around 500 million times. Alastair Macaulay, chief art critic for The New York Times, described TAO Dance Theater's work as having “theatrical force and authority. (The dancers’) athletic control is remarkable. Powerful drive… physicality and momentum… extraordinary and appealing.” Time Out New York selected TAO Dance Theater's performance as one of the "10 Best Dance Shows of 2014," making them the only Asian company on that list. In 2021, TAO Dance Theater expanded its activities by establishing the brands DNTY and TAO Studio. DNTY draws inspiration from various creators to combine the design concept of "clothes should follow the body," with artistic innovation. TAO Studio “pays attention to more people's bodies” and uses the Circular Movement System to explore and experience the infinite potential of the body. In 2023, TAO Dance Theater was awarded the Silver Lion in the Dance category at La Biennale di Venezia.
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