Neandertal

David Geselson

  • Director David Geselson
  • Production Lieux-Dits
  • Genre Theatre
  • Date 10.31.Fri. 7:30pm 11.1.Sat. 3pm 11.2.Sun. 3pm
  • Conversation with Artists This content is coming soon.
  • Language French
  • Accessibility Korean surtitle English surtitle
  • Rating 16 and over
  • Venue ARKO Arts Theater Small Hall
  • Duration 145 min.
  • Premiere 2023 Festival d’Avignon, France
  • Tickets R 65,000won S 50,000won A 30,000won

 

A scientific experiment on stage that shakes the origins of humankind, posing a fundamental question of what it means to be human

Introduction

“It is difficult to speak the truth, for although there is only one truth, it is alive and therefore has a live and changing face” — Franz Kafka

DNA is an invisible encyclopedia. This genetic code, embedded in the fabric of our bodies, not only made us who we are today but also carries traces of our ancestors from tens of thousands of years ago. DNA, the blueprint of all living beings—but how has this encyclopedia become what it is? How can we read, decode, and interpret it?

Svante Pääbo – winner of the 2022 Nobel Prize for Medicine – embarked in the 1990s on a bold quest: to decipher the DNA of our ancestors, the Neanderthals, in order to compare it with our own and try to trace the origins of humankind. His research shifted the scientific paradigm. The findings went beyond academic achievement and prompted us to ask again: Who are we? Where did we come from? And where are we headed?

<Neandertal> is a work based on Svante Pääbo's research and biography, drawing further inspiration from real-life scientists including Rosalind Franklin, Gregor Mendel, Craig Venter, and Maja Paunović. The performance invites audiences into the lives of dedicated researchers who have reshaped our fundamental understanding of the world.

Synopsis

The performance brings to the stage the intersection of scientists' research and private lives, and experiments and emotions. Six actors portray scientists decoding strands of DNA in the solitary space of the laboratory—while also living as humans who love, agonize, and hesitate. Their lives and research mingle, collide, and feed off each other, and their discoveries, born from the laboratories, overturn our perceptions of human origins and shatter every notion of racial or ethnic purity. And it says, life has reached us through dark and painful moments and will continue beyond us.

<Neandertal> reveals that the origin of humankind lies in a continuum of crossings, mixtures, encounters, links, and ruptures. It addresses head-on the questions facing our society today: Who are we, and where do we come from?

Director
Margaret Leng Tan

David Geselson

David Geselson is a French actor, author and director. He gained critical acclaim for <Doreen>, a work inspired by André Gorz’s <the Letter to D: A Love Story>, which earned him the Winner of the Critics Prize 2017 for the Best French play. He has written, directed, and appeared in <En Route-Kaddish (2014)>, <Unwritten Letters (2017)>, <Silence and Fear (2020)>, and <Neandertal> (premiered at the Avignon Festival in 2023). As an actor, he has been noted for his performances in productions directed by Tiago Rodrigues and is active in various media, including film and television, in addition to theatre. The works he directed have been presented at major French theatres and festivals, as well as at Teatro Español, a historically significant public theatre in Madrid, and MC93 (Maison de la Culture de Seine-Saint-Denis), an experimental and international hub for contemporary performing arts in France. He is scheduled to work in Taiwan during the 2024–25 season and at the Nancy Opera in the 2025–26 season.

Credits
  • Written and directd by David Geselson
  • Performed by David Geselson, Adeline Guillot,Peter De Graef or Jan Hammenecker (in rotation), Marina Keltchewsky, Sarah Le Picard or Laure Mathis (in rotation), Elios Noël
  • Live drawing on sand Marine Dillard
  • Cello Jérémie Arcache or Valentin, Mussou (in rotation)
  • Assistant director Aurélien Hamard-Padis, Jade Maignan
  • Set designer Lisa Navarro, collaborator Margaux Nessi
  • Lighting Designer Jérémie Papin, collaborator Rosemonde Arrambourg
  • Video Designer Jérémie Scheidler
  • Interaction and video designer Jérémie Gaston-Raoul
  • Sound designer Loïc Le Roux, collaborator Orane Duclos
  • Original soundtrack Jérémie Arcache
  • Costumes designer Benjamin Moreau, collaborator Florence Demingeon
  • Assistant playwriter Quentin Rioual
  • Artistic advice Juliette Navis
  • General stage manager Sylvain Tardy
  • Stage manager Nicolas Hénault, Kayla Krog
  • Set construction MC93, Maison de la Culture de Seine-Saint-Denis
  • General manager, Tour manager Noura Sairour
  • Production manager Laëtitia Fabaron
  • Public relations AlterMachine I Carole Willemot
  • Team on tour
  • Assistant director Céline Gaudier
  • General stage manager Sylvain Tardy
  • Stage manager Nicolas Hénault, Kayla Krog
  • Lighting manager Rosemonde Arrambourg, Marine Le Vey
  • Sound Manager Orane Duclos, Loïc Le Roux
  • Video manager Julien Reis, Jérémie Scheidler
  • Wardrobe manager Arlette Ricard
  • Scientific advice Evelyne Heyer and Sophie Lafosse (eco-anthropology, Musée del'Homme), Cyrille Le Forestier(archeo-anthropology, Inrap), Julie Birgel (CAGT)
  • Produced by Compagnie Lieux-Dits
  • Coproduced by Théâtre Dijon Bourgogne - Centre dramatique national, Théâtre de Lorient - Centre dramatique national, Comédie - Centre dramatique national de Reims, Théâtre Gérard Philipe - Centre dramatique national de Saint-Denis, Théâtre-Sénart - Scène nationale, ThéâtredelaCité - CDN Toulouse Occitanie, Comédie de Genève, MAIF Social Club, Festival d'Avignon, Le Canal - Théâtre du pays de Redon - Scène conventionnée d'intérêt national art et création pour le théâtre, Théâtre d'Arles, Malakoff Scène nationale, MC93 Maison de la Culture de Seine-Saint-Denis à Bobigny, Le Gallia Théâtre - Scène conventionnée d’intérêt national art et création de Saintes, Théâtre de Choisy-le-Roi - Scène conventionnée d’intérêt national art et création pour la diversité linguistique
  • With the support of the DGCA - ministère de la culture, of la vie brève - Théâtre de l’Aquarium (Paris), of the CNDC - Théâtre Ouvert
  • Project financed by Région Ile-de-France and Département du Val de Marne Région Ile-de-France and Département du Val de Marne
  • Freely inspired by Neanderthal Man: In Search of Lost Genomes by Svante Pääbo, Les liens qui libèrent, 2015 Rosalind Franklin, the Dark lady of DNA by Brenda Maddox, Des femmes-Antoinette Fouque, 2012 The Gravediggers by Taina Tervonen, Marchialy, 2021
  • Acknowledgements Frédérique Aït-Touati, Sharif Andoura, Jean-Marc Barbance, Caroline Barneaud, Razya Ben-Porat, Élodie Bouédec, Martine Bom, Jeanne Candel, Alexandre Caputo, Bénédicte Cerutti, Yannick Choirat, Servane Ducorps, Sébastien Éveno, Delphine Hecquet, Jan Peters, Manon Kneusé, Isabelle Le Ber, Kristel Marcoen, Serge Rangoni, Arno Seghiri, Joséphine Supe.
  • For the loan of scenographic elements and techni-cal tools Le Laboratoire de séquençage du CEA / Genoscope, Le Théâtre du Peuple (Bussang), La Compagnie Magique-Circonstancielle I Delphine Hecquet, la vie brève - Théâtre de l’Aquarium (Paris), Le Théâtre Dijon Bourgogne Centre dramatique na-tional, La Comédie, Centre dramatique national de Reims Neandertal is published by Lieux-Dits publishing.
Production Lieux-Dits

Founded by David Geselson in 2009, the theatre company Lieux-Dits is dedicated to expanding the horizons of contemporary theatre. They focus on works that lie between fiction and nonfiction. They center their artistic exploration around questions such as: “How does politics shape and transform individual lives?” and “How does that individual, in turn, influence the course of history?” At the heart of the company are writers and actors who collaboratively create texts and performances that address political, philosophical, and poetic questions of our time. Together, they form a powerful creative community.

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  • “With the gentleness and subtlety that characterize his theater, David Geselson enchants us, and science becomes poetry.”
    - Thierry Fiorile <franceinfo>
  • “Neandertal investigates the doubts of identity and love. (...) Silence and secrets begin to speak, to our great pleasure and joy as spectators. This is great, beautiful theater.”
    - Amélie Blaunstein-Niddam <Toute La Culture. com>