Margaret Leng Tan
<Dragon Ladies Don’t Weep> is a lyrical sound performance that captures the life and art of Margaret Leng Tan, the new music icon known as the muse of John Cage and George Crumb. New York-based Singaporean pianist Tan carved out a unique artistic path at the forefront of American avant-garde music, transforming the toy piano into a serious instrument. Her stellar career stands as a touchstone for over 40 years of experimental musical innovation. It premiered in 2020 as part of the Asia-Pacific Triennial of Performing Arts (AsiaTOPA) at the Arts Centre Melbourne, and won the 2021 Australian Art Music Award for Work of the Year (Dramatic Category).
Synopsis<Dragon Ladies Don’t Weep> combines spoken and recorded text, projected images and original music for prepared piano, toy piano, toys, and percussion by Tan’s long-term collaborator Erik Griswold. It immerses audiences in a powerful autobiographical performance reflecting on Tan’s personal memories, identity, and artistic career.
Margaret Leng Tan, a New York-based Singaporean pianist, is one of the most original and distinguished performers in contemporary American music. She is internationally acclaimed for her unique performances that bridge experimentation and artistic excellence. She was the first woman to earn a doctorate from Juilliard, and The New Yorker hailed her as “the diva of avant-garde pianism.” As a protégé of the legendary composer John Cage, she worked with him for 11 years and is now regarded as a pre-eminent John Cage interpreter. She was the featured performer in a tribute to Cage’s memory at the Venice Biennale, and she also performed his music in the PBS <American Masters>, leaving a lasting impression. Composer George Crumb wrote a major piano cycle <Metamorphoses> for her, and Tan has performed the piece across the globe since 2017. In the 2022–23 season, she premiered Crumb’s final work, Metamorphoses (Book II), once again echoing profound artistic resonance. Tan is especially renowned as a pioneer who expanded the artistic possibilities of the toy piano. Her 1997 album <The Art of the Toy Piano> elevated a toy into a serious instrument for art. The New York Times dubbed her “the queen of the toy piano,” while The Independent (UK) called her “the toy piano’s Rubenstein,” recognizing her profound impact. Her unique artistic world has been featured by BBC, CNN, ABC, and NPR, and has led to two feature documentaries: <Sorceress of the New Piano> by Evans Chan and <Twinkle Dammit!> by Siu Pham, both of which garnered attention at international film festivals. Margaret Leng Tan is a recipient of the National Endowment for the Arts’ Solo Recitalist Award. In 2015, she was awarded the Cultural Medallion, Singapore’s highest artistic accolade. In 2020, the Phillips Collection honored her as a creator of innovative concert experiences—demonstrating once again the significance of her presence in the field. Guided by Marcel Duchamp’s belief that “poor tools require better skills,” Tan has continuously pushed the boundaries of piano tradition to explore new frontiers of sound.
Tamara Saulwick is the Artistic Director and CEO of Australian performing arts company Chamber Made. She is a director, dramaturg, and producer with over three decades of industry experience. She is widely known for her experimental work that crosses genres and mediums—from theatre and galleries to public spaces and radio—and her projects have been presented at major festivals and venues across Australia, the UK, Canada, the US, and China. At Chamber Made, Tamara leads the development and direction of new works, collaborates with artists from outside the company, curates programs and projects, and actively mentors emerging artists. Recently, she has taken on roles as co-creator, co-director, and dramaturg on three key productions, shaping the company’s artistic direction.
Chamber Made is dedicated to exploring the intersection of music, sound, and contemporary performance, while challenging and redefining art forms. It speaks directly to a 21st century Australia enriched by the meeting and intersection of cultures. The company provides opportunities for promising Australian composers, sound artists, and musicians to collaborate with theatres and performing arts professionals in the field.
The company provides opportunities for promising Australian composers, sound artists, and musicians to collaborate with theatres and performing art professionals on the scene. It is also known for its commitment to exploring new possibilities in art. It is dedicated to making lasting contributions to the Australian performing arts sector by providing spaces for research, collaboration, and innovation across music and the performing arts, and by pursuing projects that explore experimental art forms encompassing music, technology, and performance.