Call Time

Tiger Power Theater

콜타임 Call Time  
  • Direction O-jin Lee
  • Date 10.6.Thu.-10.7.Fri. 8pm 10.8.Sat.-10.9.Sun 3pm, 7pm
  • Ticket 30,000 KRW
  • Barrier Free Sign Language / Korean Subtitle : 10.8(Sat) 3pm, 7pm / 10.9(Sun) 3pm
    English Subtitle : 10.7(Fri) 8pm
  • Genre Theater ●●●●●
  • Rating 12 and over
  • Venue SFAC theater QUAD
  • Duration 75min
  • Premiere 2022. Daehakro Arts Theater-Small Hall

 

A Story of an actress in 40s and a feminist assistant director in 20s seeing each other for the first time in an empty theater

 

Beom-sun is an actress with 12 years of experience; Eun-ho is a feminist assistant director who just started working in the field. The two are working on <Why Did Dan-i Throw Herself into the 20th Century?> created by the genius writer Yi Jin-o, who is also known as the father of contemporary drama in Korea. The day after Beom-sun messed up her lines and ruined the performance, Eun-ho and she arrive at the theater an hour before the call time when loud thunder and lightning hit them. And now, they can no longer go back to how things were before.

Synopsis

The play begins with a sentence that goes: some people realize what I am a little late. There are two women in the play. They arrive at the theater an hour before the call time, which was when all actors and staff were supposed to arrive. Until the call time, they talk with each other, discovering new senses towards one another.
Just because one makes a discovery and comes to a realization in his or her life, the environment surrounding him or her doesn’t change completely. Still, <Call Time> attempts to think about why we should ask who we are and find answers, and about the lives of people who have to tolerate the unchanging society with a growing number of questions.

Director
이오진  Lee O-jin

Director Lee O-jin

Writes stories about women and directs plays. Lee brings sharply divided issues of the contemporary to the stage by converting them into the unprocessed drama.



Directed <A Great Bitch of a Korean Church’s Youth Group> (2021), <At Night, Nobody’s Hotel> (2021), <Love is Doomed> (2020), <Peerless: The High School Macbeth> (2020), <Can I be a Feminist in This Life?> (2018) among many.

2021 Selected as the best new play of the year by Arts Council Korea’s Arko Selection
2019 Selected for best directing by Seoul Foundation for Arts and Culture’s NEWStage
2016 Received Daesan Creative Fund
2013 Selected for theatrical performance by CJ Creative Minds

Credit

Cast | Lee Ju Young, Jang In Ho, Ma Do Young
Writer&Direction | Lee O-jin
Dramaturg | Chang Ji Young
Assistant Director | Lee Hyo Jin
Set Designer | Jang Ho
Lighting Designer | Shin Dongseon
Costume Designer | EK
Acting Coach | Jang Jackie
Movement Designer | Son Ji Min
Korean Subtitle Designer | Kim Tae Ryung
Sign Language | Interpretation Jal-ham
Producer | Jo Hana

Tiger Power Theater

Tiger Power Theater took off as a team of feminist playwrights. They write stories of people who eventually take a step forward after struggling in dilemmas and take them to the stage.

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  • ‘<Call Time> by Tiger Power Theater depicts the clash between the history of Korean plays and today’s feminism in a comical way, through Eun-ho, a third-time college entrance exam taker and an assistant director, and Beom-sun, an actress in her forties.’
    - Kukmin Ilbo / 2022
  • ‘Beom-sun and Eun-ho know they don’t share anything, which may make them get upset; but at least they don’t run away from the conversation. The way of dialogue in <Call Time> is in line with the direction today’s feminism should be headed.’
    - NewsCulture / 2022
  • ‘Lee O-jin doesn’t hesitate to talk about contemporary issues through <Call Time> and <A Great Bitch of a Korean Church’s Youth Group>. She also showed new possibilities of the future with her sensual directing.’
    - Commentaries on the nominees of the Baeksang Arts Awards’ Young Theater Award / 2022
  • ‘Days changed, and so did we. The play restrains itself while keeping itself humorous and jolly. What impresses me the most is the nonchalant and casual attitude. The play is peculiarly exciting.’
    - Eom Hyeon-hee, Critic, Goodstage